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Latest Blog

Love Hurts

05 February 2010 |

Simon Cottrell It's a shame that the internet is a virtual medium, because there are a lot of people out there that I'd like to express my deep feelings of friendship to, and having spent the last two years here in Serbia, I'd like to do it in a truly Serbian way.


Feith: 'New Beginning' for Mitrovica
05 February 2010 | Lawrence Marzouk

The International Civilian Representative in Kosovo, Pieter Feith, has said the appointment of a team to create a new Serb-majority municipality in the divided city of Mitrovica could herald a 'new beginning'.

Georgieva, Ciolos Approved with New Commission
09 February 2010 |

The European Parliament has approved the new European Commission at its session in Strasbourg. Kristalina Georgieva and Dacian Ciolos are the new commissioners from Bulgaria and Romania, respectively.

Koricanske stijene: Awareness of Security
09 February 2010 |

A member of the Intelligence-Security Agency of Bosnia and Herzegovina says he spoke to Milorad Skrbic while investigating the murder at Koricanske stijene and "determined that he did not have any operational data about this event".



‘Vicky Cristina Barcelona’

| 27 November 2008 |
 

One of Europe’s sexiest cities comes to life in a new Woody Allen film about two American friends seeking happiness one summer in Barcelona.

Vicky, portrayed by Rebecca Hall, knows she wants a predictable life with a mildly boring American fiancée, Doug. Cristina, played by Scarlett Johansson, is a fiery poetic soul seeking stellar love and a way to express herself.

The girls soon discover the true charm of the Old World when a painter Juan Antonio, played by Javier Bardem, invites them to spend a weekend of lust outside the city. While flirtatious Cristina is instinctively drawn to his Spanish charm and openness, by a series of accidents it’s Vicky that ends up in the arms of Juan Antonio. The plot further evolves with the arrival of Maria Elena, Juan Antonio’s former wife, creating a complex love triangle.

Allen’s trip to the heart of European-ness is rewarding. The brilliant dialogues subtly and without prejudice deal with the contrast between de-personalised desire, as expressed by the Americans, and the lust for life in Europe’s warmest region.

The characters are portrayed with various degrees of intensity. Johansson, after three films with Allen obviously his new muse, forms the weakest link. But even her performance has some quality. Bardem is finally able to live out his true Spanish self. But it’s a masterful Penelope Cruz, playing the role of destructively passionate muse as Antonio’s Maria Elena, who sets the screen on fire.

All her acquired American-ness becomes invisible when living out a role in her mother tongue, and we see the raw beauty of the actress made famous by Bigas Luna’s film Jamon Jamon, in which she first met Bardem. Her passionate cynicism, which Allen skilfully guides between destruction and eroticism, makes this the best performance in her career. Hollywood rumours say it will be hard for the Oscar for Best Supporting Actress to go to anyone else.

Allen is not visually obsessed with images of Barcelona, as are so many other filmmakers, using it instead as a setting for confronting two principles, the American and the European. The film deals with these through some humour that at the same time reveals the depth of these cultural differences and shows how significant to both relationships and the perception of the self they can be.

Whoever doubted Woody Allen can really function outside New York now has the answer. Fantastic crew, excellent script and insightful direction are strong recommendations for Vicky Cristina Barcelona to become a part of your must-see films list.



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